When Edward Munch created ‘The Scream’ in 1893 he was responding to an intense emotional experience.   Today we would call it a panic attack.   Crippling and anxious making, this primal cry was also a rallying call:  for Munch and for the wider world of art.   It gave birth to a movement known as expressionism.   Explosive and emotive, the aftershocks of Munch’s vision were felt across the world in art, music, literature dance and film.   Charting the origins of expressionism and its historical context, this multifaceted talk embraces artists and thinkers and ponders the radical ways in which they both reflected and ignited our inner feelings.

“I don’t know what it is but I’ve got it!”   ‘It’ was star quality, and the person who had it was Noel Coward!   On the surface Coward appeared to be just a camp man swanning about in a dressing gown, dropping acerbic one liners like ash from a long cigarette holder.   But Coward was one of the most versatile cultural figures of the 20th century and his career is the history of 20th century British theatre.   Coward said “I’ll go and see anything so long as it amuses me, or moves me.   If it doesn’t do either I want to go home.”   Join Simon for this lecture, in the company of Coward, to be amused and moved …!

The term Magi refers to Zoroastrian priest-sages, anonymous wise men who were specialists in medicine, religion and astronomy and who travelled from the East. Tradition has placed the number of magi at three, relating to gold frankincense and myrrh, but is this correct?  

Why remember a battle that took place over two and a half thousand years ago?   Rupert reveals Marathon as the victory that saved ‘western civilisation’.   Eye opening, edge-of-your-seat stuff.

From the early Kosovan silver mines which are mentioned in Dante through 20th century politics a silver thread winds through Kosovo’s history.   Its most intricate tanglings are in the country’s cultural capital Prizren where a seventh generation of filigree artists use various skills to magic creations which are a fine narrative of Kosovo’s history and traditions.

This lecture explores the historical research behind the making of 1986 film ‘The Mission’ which so powerfully contrasted the peaceful, Utopian lifestyle of the native Indian villages with the forced eviction of the Jesuit Order from South America in 1767.  Drawing upon his own personal experience – conducting concerts in the three most important Chiquitos missions at the invitation of UNESCO – Graham Griffiths reveals that the historical truth is even more remarkable that the film suggests.

A lively and, perhaps, inter-active workshop looking at how Shakespeare’s company produced the plays in the 16th and 17th centuries. This lecture/workshop will change the way you look at Shakespeare for ever.

The Castle of Mey was the only property the Queen Mother ever owned. This lecture is a fascinating account of what it was like to stay at the Castle of Mey both for the Queen Mother and for invited guests.

This lecture looks at the life and work of this country’s greatest animal painter, putting Stubbs in the context of British sporting artists of the 18th century and focuses on his depiction of equestrian subjects such as the National Gallery’s Whistlejacket, and also looks at the broader themes he addressed.